Books
Browse our range of art and music books. Avant-garde, experimental music, poetry and photography
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Movements in Modern Art series
Futurism
The Movements in Modern Art series provides concise, accessible and richly illustrated introductions to the major art movements of the last 100 years. Used = V good condition
£3.95 + p&p


Electronic Music and Sound Design Structured for use in university courses, the book is an overview of the theory and practice of Max and MSP, with a glossary of terms and suggested tests that allow students to evaluate their progress. condition Mint
£22.00 + p&p SOLD
Movements in Modern Art Minimalism Many people have difficulty in appreciating Carl Andre's "Equivalent VIII", consisting of 120 bricks, as a work of art. This publication shows not only how "the bricks" are indeed sculpture, but that minimalist works such as this present some of the most interesting and imaginative work of the 1960s. . condition Mint
£5.95 + p&p


Edge . Katrina Porteous
As scientific inquiry reveals the beauty and poetry of the universe, Edge celebrates the almost-miraculous local circumstances which enable us to begin to understand it. All three pieces were commissioned for performance in Life Science Centre Planetarium, Newcastle between 2013 and 2016, with computer music by Peter Zinovieff. The title sequence, 'Edge', was broadcast as a Poetry Please Special on BBC Radio 4. . condition Mint
£5.95 + p&p
The Art of Noise. Destruction of Music by Futurist Machines.
The music and noise manifestos of the Italian Futurists formed a blueprint for sonic warfare waged against traditionalism, a radical new agenda played out with machines primed for maximal acoustic destruction and aimed at the negation of all existing value systems. THE ART OF NOISE collects together these and other writings for the first time in English, showing how the origins of modern noise music actually date from a century ago Used = Mint condition Paperback
£12.95 + p&p


Wyndham Lewis (British Artists series The British Artists series is a major collection of fully illustrated guides to the lives and careers of influential British artists, from the eighteenth century onwards.. condition Mint
£10.00 + p&p
Modern Art 1851-1929
The period 1851 to 1929 witnessed the rise of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. It was also a time of rapid social, economic, and political change, encompassing a revolution in communication systems and technology, and an unprecedented growth in the availability of printed images. . condition Mint
£15.95 + p&p


Futurist Performance
This is the definitive text on the radical contributions of Futurism in theatre, dance, radio, cinema, music, and scenography. It includes thirteen manifestos (such as "The Art of Noise," "The Futurist Synthetic Theatre") by Marinetti, Prampolini and Russolo, and forty-eight performance texts (sintesi) by Balla, Boccioni, Depero, Cangiullo, and Marinetti. Fifty-six photos. condition V Good Ex Library
£12.00 + p&p
Introducing Modernism .
Introducing Modernism explores the radical aesthetics of Picasso, Joyce, Schoenberg and other avantgardist masters. Art, architecture, music and literature were all transformed in this shock-wave of innovation, a set of complex responses to the technological, industrial and scientific revolutions of modernity itself. Used =V Good condition Paperback
£4.95 + p&p


Dali by Dawn Ades. World of Art Series. Salvador Dali is perhaps the most universally famous and popular twentieth-century artist.Dawn Ades considers some of the puzzling questions raised by the Dali phenomenom. condition Good. Paperback
£3.95 + p&p
DADA: Hans Richter. Art and Anti-Art.
'Where and how Dada began is almost as difficult to determine as Homer's birthplace', writes Hans Richter, the artist and film-maker closely associated with this radical movement from its earliest days. Here, he records and traces Dada's history, from its inception in wartime Zurich, to its collapse in Paris in the 1920s when many of its members were to join the Surrealist movement, to its reappearance in the 1960s in movements such as Pop Art. . condition V Good
£20.00 + p&p


Future Now: 100 Contemporary Artists 2017.
The Aesthetica Art Prize Anthology celebrates the work of emerging and established practitioners from across the world, inviting audiences to be inspired by a wealth of ideas and perspectives. From Photographic & Digital Art and Painting, Drawing & Mixed Media, to Three-Dimensional Design & Sculpture and Video, Installation & Performance, the works included in this year’s presentation come from diverse locations such as Australia, Belgium, France, Germany, Italy, Lithuania, Norway, Singapore, the UK and the USA. condition Mint
£10.00 + p&p
Duchamp. Janis Mink 2000.
When is a urinal no longer a urinal? When Marcel Duchamp (1887–1968) declared it to be art. The uproar that greeted the French artist’s Fountain (1917), a porcelain urinal installed in a gallery, sent shock waves through the art world establishment that reverberate right through to today.. Used =Mint condition Paperback
£15.00 + p&p


Paul Nash Winter Sea..An inquiry by Leonard Robinson.The painting 'Winter sea', described by Nash as 'one of my best', is without question the most important 20th-century works in the collection of the York City Art Gallery Hardcover 1997. condition Mint. Hardback
£45.00 + p&p
The Art of Today. Brandon Taylor
This is an international survey of contemporary art, taking a critical look at the work of established artists and exploring broad international trends and movements. The book takes the impact of feminist, structuralist and postmodern theories on the visual arts as a central theme. . condition V Good
£3.99 + p&p


How to Be Avant-Garde: Modern Artists and the Quest to End Art.
“Art has poisoned our life,” proclaimed De Stijl cofounder Theo van Doesburg. Reacting to the tumultuous crises of the twentieth century, especially the horrors of World War I, bands of writers and artists explored different ways to end art by having it become part of how they lived. In dynamic engagement with these revolutionary groups, Morgan Falconer starts with Futurist founder Filippo Tommaso Marinetti, whose manifesto extolling speed, destruction, and modernity seeded avant-gardes across Europe. . condition Mint
£20.00 + p&p SOLD
Mad Skills: MIDI and Music Technology in the 20th Century.
Guiding us across one hundred years of musical instruments, and the music made with them, Mad Skills recounts the technical and creative innovations that led to the making of the most vital, long-standing, ubiquitous, and yet invisible music technology of our time.. Used =Mint condition Paperback
£8.00 + p&p


Modern Music: A Concise History Beginning at the threshold of the modern era, with the late Romanticism of Debussy and Mahler, the author traces the new directions of music through composers such as Alban Berg and Anton Webern, Charles Ives, Edgard Varese and Olivier Messiaen, Karlheinz Stockhausen, Pierre Boulez, Philip Glass and Elliott Carter.condition fair. Paperback
£3.50 + p&p
Composing Interactive Music
Interactive music refers to a composition or improvisation in which software interprets live performances to produce music generated or modified by computers. In Composing Interactive Music, Todd Winkler presents both the technical and aesthetic possibilities of this increasingly popular area of computer music. His own numerous compositions have been the laboratory for the research and development that resulted in this book.. condition Mint
£35.00 + p&p


The Art of Digital Music
This inspiring volume gathers the wisdom and groundbreaking techniques of 56 visionary artists, producers, programmers, provocateurs, instrument designers, label executives and industry leaders. Hear firsthand how the masters wield technology to create their amazing music the video features highlights from each interview. You'll learn studio setup tips, secrets of sampling, creative quantization, ringtone tricks, production strategies, insights from video-game composers, insane distortion recipes, how to squeeze expression from loops, how to overcome software option anxiety, how to exploit happy accidents, and much more. . condition V Good
£15.00 + p&p
Avant-garde Performance: Live Events and Electronic Technologies.
How did the concept of the avant-garde come into existence? How did it impact on the performing arts? How did the avant-garde challenge the artistic establishment and avoid the pull of commercial theatre, gallery and concert-hall circuits? How did performance artists respond to new technological developments? Placing key figures and performances in their historical, social and aesthetic context, Gunter Berghaus offers an accessible introduction to post-war avant-garde performance. Used =Mint condition Paperback
£20.00 + p&p


Contemporary African Art
This critical history examines the major themes and accomplishments in African art since 1950, achieving an impressive balance between a critical re-examination of frequently discussed artists, groups and workshops and the introduction of less publicized or more recent works..condition good. Paperback
£4.50 + p&p
Minimalists (20th Century Composers)
This accessible yet informative book, the first in its area aimed at a general readership, offers a unique overview of the controversial musical style of Minimalism – a name originally attributed to the movement as a derogatory term, in the same way as Impressionism was first derisively labelled by art critics. Minimalism, perhaps best represented by the American composers Steve Reich and Philip Glass, has always had a mixed reception and is both reviled and revered in equal measure. .. condition Mint
£8.00 + p&p


The Rhythmic Event: Art, Media, and the Sonic.
The sonic has come to occupy center stage in the arts and humanities. In the age of computational media, sound and its subcultures can offer more dynamic ways of accounting for bodies, movements, and events. In The Rhythmic Event, Eleni Ikoniadou explores traces and potentialities prompted by the sonic but leading to contingent and unknowable forces outside the periphery of sound. She investigates the ways in which recent digital art experiments that mostly engage with the virtual dimensions of sound suggest alternate modes of perception, temporality, and experience. Ikoniadou draws on media theory, digital art, and philosophical and technoscientific ideas to work toward the articulation of a media philosophy that rethinks the media event as abstract and affective.condition New
£60.00+ p&p